Symposium in Homage to Michel Jeanneret (1940-2019)

Organized by Jean-Claude Carron (Research Professor, UCLA)

Please register here for the symposium on Zoom

 
This symposium convened to honor Michel Jeanneret (1940-March 2019) will memorialize the critical and creative achievements of one of the pillars of early modern studies today. We will bear witness to his pioneering contributions to the current critical discourse on French and European studies, covering both the ancient and nouveau régimes, from the Sixteenth century, with, among others, Vinci, Erasmus, Rabelais, Ronsard, Montaigne, to Versailles, Nerval, and contemporary French cultural politics (« Cinquante-huit réponses à Nicolas Sarkozy », Critique 2009). Participants will attest to how, as a  literary scholar focusing on hermeneutic and textual interpretation, the Genevan critic was also interested in culture, philosophy, visual arts, architecture, food, society, and, recently, digital humanities (Bodmer Foundation). Everything being said, together we will assess how Michel Jeanneret, the scholar, the teacher, and the humanist, bears witness to what being human means.

Professor of French Literature at the University of Geneva, Michel Jeanneret was one of the pillars of Sixteenth- and Seventeenth-Centuries French literature, as well as humanist and Renaissance cultures of our generation. Well known in the US, where he gave numerous lectures, he served as Distinguished Professor at Johns Hopkins University and has held posts as Visiting Professor in Harvard, Princeton, Seattle, Irvine, as well as the College de France, the Sorbonne, and the Universities of Lausanne, Nothingham, Bristol, Beijing and Kyoto. Frequent visitor to California, Los Angeles, and UCLA, he was a guest lecturer at the CMRS and a visiting scholar in the French and Francophone Department. Among his works translated into English: A Feast of Words: Banquets and Table Talk in the Renaissance (Chicago, 1991) and Perpetual Motion: Transforming Shapes in the Renaissance from da Vinci to Montaigne (Johns Hopkins, 2001). Colleagues and friends from the US and Europe will participate in this international homage.

Program:

9:00am
Welcome: Marian Hobson Jeanneret and Jean-Claude Carron

9:15am-10:15am
Session I – Papers: ‘L’élégance d’un style’
Moderator: Walter Stephens (Johns Hopkins University)

9:15am
Max Engammare (Librairie Droz, University of Geneva), Les premiers pas d’un grand critique

9:35am
Frédéric Tinguely (University of Geneva), L’écriture comme présence

9:55am
Florian Preisig (Eastern Washington University), La générosité dans l’œuvre critique de Michel Jeanneret

10:15am
Break

Moderator: Cynthia Skenazi (University of California, Santa Barbara)

10:30am
Mary McKinley (University of Virginia)
Michel Jeanneret / Michel de Montaigne: Joy, Movement, Liberty

10:50am
Frank Lestringant (Paris 4 Sorbonne)
Un XVIIe siècle décapé. À propos de ‘J’aime ta joie parce qu’elle est folle’. Écrivains en fête (Genève, Droz, 2018)

11:10am
Yves Citton (Paris 8 Vincennes-Saint Denis)
Les grâces drôlatiques d’un professeur de littérature

11:30am
Discussion

12:00pm
Break

12:15pm
Round Table: ‘L’Élan créateur’
Moderator: Jean-Claude Carron
Discussants: Cécile Alduy (Stanford University), Dominique Brancher (Universität Basel), Terence Cave (Oxford University), Tom Conley (Harvard University), Jérôme David (University of Geneva), Ullrich Langer (University of Wisconsin-Madison), Mary McKinley (University of Virginia), Jan Miernowski (University of Wisconsin – Madison), Frédéric Tinguely (University of Geneva)

The organizer wishes to thank the following institutions for their help:

• Department of Modern Languages and Literatures, Johns Hopkins University, Wilda Wilson, Interim Chair
• Centre for Renaissance and Reformation Studies, University of Toronto, Matt Kavaler, Director
• Arizona Center for Medieval and Renaissance Studies, Arizona State University, Ayanna Thompson, Director
• Department of European Languages and Transcultural Studies, UCLA, Dominic Thomas, Chair
• UCLA Center for Medieval and Renaissance Studies and its Director, Zrinka Stahuljak, for their generous sponsorship