Instructor: Thomas Harrison
This class has concurrent graduate enrollment (Italian 260C). Its theme is the “visibility of the invisible” in the art of Italian film, starting almost from that art’s beginning (circa 1900) and moving onto the work of some of Italy’s most celebrated directors (Rossellini, De Sica, Fellini, Pasolini, Antonioni, Sorrentino, Garrone). Film theory will also play a big role. Taught in English.